"It is important to recognize that when we speak of housework we are not speaking of a job like other jobs, but we are speaking of the most pervasive manipulation, and the subtlest violence that capitalism has ever perpetrated against any section of the working class. True, under capitalism every worker is manipulated and exploited and his or her relation to capital is totally mystified. […] The difference with housework lies in the fact that not only has it been imposed on women, but it has been transformed into a natural attribute of our female physique and personality, an internal need, an aspiration, supposedly coming from the depth of our female character. Housework was transformed into a natural attribute, rather than being recognized as work, because it was destined to be unwaged. Capital had to convince us that it is a natural, unavoidable, and even fulfilling activity to make us accept working without a wage. In turn, the unwaged condition of housework has been the most powerful weapon in reinforcing the common assumption that housework is not work, thus preventing women from struggling against it, except in the privatized kitchen-bedroom quarrel that all society agrees to ridicule, thereby further reducing the protagonist of a struggle. We are seen as nagging bitches, not as workers in struggle. Yet, how natural it is to be a housewife is shown by the fact that it takes at least twenty years of socialization, day-to-day training, performed by an unwaged mother, to prepare a woman for this role, to convince her that children and husband are the best that she can expect from life. Even so, it hardly succeeds. No matter how well trained we are, few women do not feel cheated when the bride’s day is over and they find themselves in front of a dirty sink. Many of us still have the illusion that we marry for love. A lot of us recognize that we marry for money and security; but it is time to make it clear that while the love or money involved is very little, the work that awaits us is enormous. This is why older women always tell us, ‘Enjoy your freedom while you can, buy whatever you want now.’ But unfortunately it is almost impossible to enjoy any freedom if, from the earliest days of your life, you are trained to be docile, subservient, dependent and, most importantly, to sacrifice yourself and even to get pleasure from it. If you don’t like it, it is your problem, your failure, your guilt, and your abnormality."
Israeli army spokesman:
"HAMAS WAS HIDING IN ALL THESE PLACES SO WE HAD TO BOMB THEM TO DEFEND OURSELVES":
They hid at the El-Wafa hospital.
They hid at the Al-Aqsa hospital.
They hid at the beach, where children played football.
They hid at the yard of 75-year-old Muhammad Hamad.
They hid among the residential quarters of Shujaya.
They hid in the neighbourhoods of Zaytoun and Toffah.
They hid in Rafah and Khan Younis.
They hid in the home of the Qassan family.
They hid in the home of the poet, Othman Hussein.
They hid in the village of Khuzaa.
They hid in the thousands of houses damaged or destroyed.
They hid in 84 schools and 23 medical facilities.
They hid in a cafe, where Gazans were watching the World Cup.
They hid in the ambulances trying to retrieve the injured.
They hid themselves in 24 corpses, buried under rubble.
They hid themselves in a young woman in pink household slippers, sprawled on the pavement, taken down while fleeing.
They hid themselves in two brothers, eight and four, lying in the intensive burn care unit in Al-Shifa.
They hid themselves in the little boy whose parts were carried away by his father in a plastic shopping bag.
They hid themselves in the “incomparable chaos of bodies” arriving at Gaza hospitals.
They hid themselves in an elderly woman, lying in a pool of blood on a stone floor.
They hid themselves in a UN school where civilians were sheltering from our shells and bombs.
They also hid themselves In designated ‘safe’ spots, we waited and then we bombed the safe spots and still after all this hiding they’ve been managing to KILL our soldiers!!!
What are we to do, even the worlds getting harder to convince now……?"
"Can the hungry go on a hunger strike? Non-violence is a piece of theatre. You need an audience. What can you do when you have no audience? People have the right to resist annihilation."
#REVOLUTION AS PERFORMATIVE BECAUSE ANY ACT OF DEFIANCE IN A PUBLIC SPACE IS PERFORMATIVE#BECAUSE IT IS CODED AGAINST THE DOMINANT CULTURE#IDK I HAVE A LOT OF FEELINGS ABOUT PERFORMANCE#IT’S A THING#performative ofc not in the sense of being removed or less genuine#only meaning that effective protest is often performed AS SUCH because 1. getting the audience on your side and 2. performing against the sy#stem(via peakcapitolism)
"They give you little bullshit amounts of money in exchange for your working – wages and so forth – and then they steal all that shit back from you in terms of the way they got this other thing set up – his whole credit gimmick society man, consumer credit, buy shit buy shit on credit, he give you a little bit of shit to cool your ass out and then steal all that shit back with shit called interest – the price of money. Motherfuckers in non-producing, non-existent industries ya know motherfuckers who deal with paper. There’s a cat who would stand up and say to you he’s “in mining”, and he sits in an office man on the hundred and ninety ninth floor in some motherfucking building on Wall Street, and he’s “in mining” and he has paper, certificates, which are embroidered and shit you know, stocks, bonds, debentures, obligations, you know, “he’s in mining”, and he’s sitting up in Wall Street and his fingernails ain’t been dirty in his motherfucking life; he went to Phillips Andover or Exeter, he went to Harvard, he went to Yale, he went to the Wharton School of Business, and “he’s in mining”?
The motherfuckers who deal with intangibles are the motherfuckers who are rewarded in this society. The more abstract and intangible your shit is, come on stocks? What is stock? Stock certificates is evidence of ownership in something that’s real. Ownership. He owns and controls and therefore receives you know the benefit from, that’s what they call profit. He’s fucking with shit in Bolivia, he’s fucking with shit in Chile, he’s Anaconda, he’s United Fruit, he’s “in mining”, he’s in what? He ain’t never in his life produced shit. Investment bankers, stock brokers, insurance man, it’s motherfuckers who don’t do nothing. We see that this whole society man exists and rests upon workers and that this whole motherfucking society controlled by this ruling clique is parasitic, vulturistic, cannibalistic and is sucking and destroying man the lives of motherfucking workers and we have to stop it because it’s evil."
the idea of harry potter not only straddling two worlds between him (the british wizarding world and the british muggle world) but also being met at each end by two entirely different systems of historical dehumanization/subjugation (with harry on one hand being a half-blood in a society built on blood pedigree and on the other hand being black mixed-race in a society built on white supremacy) is at once extremely tragic and extremely compelling narratively
it’s also interesting that either status has a completely negligible effect within the opposite world (i.e. harry’s blood status means nothing in muggle britain and his race means nothing in wizarding britain)
mixed-race harry continues to rise to the top as the most narratively compelling interpretation of the text
harry potter is adopted by sirius
Orphan is the New Black
The story of Wanda and Pietro Maximoff is one of being both Roma and Jewish. IT IS FUNDAMENTALLY HOW THEY WERE BORN.
Their parents being Holocaust survivors is how their parents met (escaping the camps together).
And not only are Magda and Max/Erik Holocaust survivors, their adoptive parents Marya and Django LOST TWO CHILDREN BEFORE WANDA AND PIETRO IN THE HOLOCAUST.
They are the children of four Holocaust survivors who grew up in Europe, raised by a Romani family who lost two children in the Holocaust.
Their father is likely one of the most famous Jewish, and known for being Jewish, characters ever.
And they decided not only to make Wanda and Pietro white gentiles.
They made them white gentiles who willingly gave themselves up to a Nazi organization to get powers.
WHAT PART OF THAT IS OKAY?